Free PDF Studio Anywhere: A Photographer's Guide to Shooting in Unconventional Locations
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Studio Anywhere: A Photographer's Guide to Shooting in Unconventional Locations
Free PDF Studio Anywhere: A Photographer's Guide to Shooting in Unconventional Locations
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About the Author
Nick Fancher is a portrait and commercial photographer as well as author and educator. He specializes in lighting, specifically with the use of minimal gear in unconventional locations. He lives in Columbus, Ohio with his wife Beth and children, Jack and Margot. He can be found online at nickfancher.com, @nickfancher (Instagram), and nickfancherphoto (Facebook).
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Product details
Paperback: 272 pages
Publisher: Peachpit Press; 1 edition (April 9, 2015)
Language: English
ISBN-10: 0134084179
ISBN-13: 978-0134084176
Product Dimensions:
7 x 0.7 x 9 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
94 customer reviews
Amazon Best Sellers Rank:
#92,679 in Books (See Top 100 in Books)
"Studio Anywhere" is a great guide for photographers who want to improve the quality of their images without needing a ton of expensive gear or a permanent studio location. I really enjoyed the book, the author is very specific about how he lit each example picture, even including screenshots of Lightroom settings of how he color graded the pictures and fixed problems.The author covers many different scenarios: low-key portraits, bright and dark product shots, shooting with water, bright sky and dark night portraits... always in tight spots with minimal gear. Keep in mind the author really likes hard light, like rock-hard light from an unmodified speedlight. If you're a fan of soft, subtle lighting, you might not like all of his photos.A few nitpicks: The author frequently refers to speedlights as "bare-bulb strobes". Speedlights have lenses and mirrors that enable their features, they are not bare-bulb strobes. I think he just means "bare flash", meaning no modifier was used. Also he makes a big deal about how superior Neutral Density filters are to High-Speed Sync modes on speedlights, but he compares the two unfairly to make ND filters sound wonderful and HSS sound terrible, using different exposure settings for the two tests. HSS costs about two stops of power, if you put a two-stop ND filter in front of your lens, you will also need an additional two stops of flash power. Anyway, I'm just saying ND filters are not some magical solution to flash sync problems, using them requires more flash power just like HSS does, and ND filters make it harder to change lenses, since you also have to change filters when you do, possibly requiring multiple filters for different size lenses, step-up rings, etc. HSS just works.So, if you're looking for a collection of practical tips for using the world as your studio to take great pictures, "Studio Anywhere" is highly recommended!
I'll be honest. I enjoyed this book the first time I read it, but really considered it only about 1/2 good, since it includes a lot of Lightroom examples and I don't use Lightroom. While the content I read was good and felt it was worth the money, I just considered it a good solid book, but not a standout.However, as I've had this for a few years I continue to gain new knowledge every time I pick it up. For example, Nick's gear is simple, but does the job. It's a clear example of how little you really need to do professional work. Anytime you find yourself "Needing" more photo gear, take a look at Nick's gear and you may find you have more than enough gear to do excellent photography.Then there are the examples. As I grow as a photographer different chapters appeal to me. Nick covers people and products...and those have had different appeal to me at different times. However, whichever subject I find myself interested at the time, I find Nick's book to have something to help me grow in that area.And then there's the extensive Lightroom examples. I haven't made it to using Lightroom yet, however I have now found that I can at least apply many of his principals to my work in Rawtherapee. And once I make it to using Lightroom, I'll bet I can appreciate those even more.I've found myself with the opportunity to have a very small photo studio in my home, and with Nick's book I'm extremely confident that I'll be able to put even that small space to great use.To me, this book has great appeal to someone who may wish to start a photography business. It doesn't cover the travel/landscape/artsy photography. But it DOES cover topics that would be the bread & butter to someone who would like to bring in some money through photography. It covers a lot of corporate type shooting, along with product and portrait photography.I don't usually write reviews...but found myself referencing this book over and over for the past two years...it's good stuff!
The idea behind this book is great - you really don't "need" a studio.However, I am a little disappointed how much the author relies on using "post" to make up for lack of lighting, when in many of examples it would have been easy/possible to add another flash. Obviously we'd all like to not have to carry around that little bit extra gear, but it just seems to go against the whole concept that we do 90% of our shots without a studio. We are not talking run and gun here, we're talking posed sittings, which may or may not have time pressures and baggage allowance issues.On the whole the guidelines and ideas are great, but I do feel the heavy reliance on "Lightroom" to fix what we didn't get on set, is a little off-putting.
Yes, some of this SHOULD be obvious to anyone that has held a camera for a few years...but it's still a good read.Yes, some of this might indeed make you say, "Well, duh." And feel all smug about yourself.And yes, some of this might make you say, "D'oh!" And feel embarrassed that you hadn't figured that out yourself.All in all I think it's a good book.I think it's good for those just starting out, for those with a full studio as a way to see things differently, and for those that HAD a studio ;-) but are looking for ways to make it work without one.
this is one amazing gem of a book about portraiture photography. the author of this wonderful book is extremely talented and knows how to explain it and explain it well he did! I like the style of this book. its like reading a diary/blog and you can see how a professional photographer thinks and works with lighting on various locations with limited budget. this is without a doubt one of the best books that explain working with lighting which is a bit complicated for beginners. also the post-processing tips on Lightroom is quite insightful.I'm glad that I bought this book and I would recommend it to friends and serious armature photographers.
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